Pullman Holt B200752 Gloss Boss Mini Floor Scrubber

• Polish and protect any flooring
• Lightweight only weighs 7 lbs
• Features heavy-duty wheels for transport
• Foot activated power release pedal
• Includes two washable microfiber pads

Gloss BossTM Buffer Buff, polish and protect hardwood, vinyl, tile, laminate and concrete floors keeping them sparkle clean. Unlike many commercial grade buffers, this one is lightweight (7 lbs.), easy to push and has no drag. Simply spray area with household cleaners and let the powerful dual nylon brushes do the rest. Features heavy-duty wheels for transport and a foot-activated power release pedal. Works on carpets to remove stains! Includes two washable microfiber pads. ETL certified.

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National Hardware V1936 Floor Door Stop with Rubber Bumper, Satin Nickel

• Solid Brass base metal

3/4', Satin Nickel Low Dome Door Stop, Designed To Protect Wall & Door From Damage On Doors With 1/4' To 3/4' Clearance, Carded.

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Dischord

• At the height of her success, alternative rock star Gypsy puts sown her violin and walks away from her career, she retreats with Lucian, her musician husband, to the desolation of Cape Cod in winter. There in Lucian s family cottage, isolated from all they worked to achieve, Lucian tries to support Gypsy in her quest from renewal and peace. Their solitude is cut short, however, when Lucian s long

A Dischord box set? It may seem like an oddity to many who know little about the label, but when you think about it, it makes absolutely perfect sense. Many of the D.C. bands were and are known for amazing live shows, blowing most "punk" bands out of the water. Unfortunately, given these bands' tendency to break up after a year or so, those in the other parts of the country and the world couldn't necessarily make it down to the 9:30 club to check out Severin or Soul Side -- hence, the existence of Di! schord as a label. Initially started just to document one band (the Teen Idles), it has served to document the ever-growing musical family that has come to represent some of the best music Washington D.C. has to offer. And now, after 20 years, a compilation comes along (each band is represented with one song on the first two discs) that is not only beautifully laid out, but an absolute necessity for fans of either the label as a whole or just one or two bands. On the first two discs, the progression of the label is spelled out chronologically, beginning with the rapid-fire hardcore that D.C. bands like Minor Threat, Government Issue, and Faith used to establish the scene in the early '80s. Around track 16 or so, the whole thing explodes. Bands no longer take the faster-then-hell approach, and more melodies and complexities take over. While many of the people here appear in many different bands, there was an obvious concerted effort to keep pushing things past the confines o! f what constituted "punk," including the supposed birth of emo! core (Em brace, Rites of Spring), the blend of personal issues with politics of the Nation of Ulysses and Fugazi, the power pop of High-Back Chairs, or the monster surf punk of Slant 6. The third disc, made up entirely of rare and unreleased tracks moves in much the same order but tends to be a bit heavier on the "hardcore" side. If this isn't your cup of tea, it is more than made up for by rare tracks by Shudder to Think and the brilliant "Word" by Fugazi. (Not to mention an extremely old interview with Ian and co. from way back when and vintage live footage of some of the original hardcore bands on the scene.) There are moments on the box that may throw people for a loop, musically. But the fascinating part is hearing the progression of the scene from a high-octane hardcore hotbed to a more arty, experimental, and wide-ranging purely musical scene. Listeners will have an interesting time trying to peg down just when that shift occurred. Was it Rites of Spring? Beefeater? Shudder to! Think? It's important to note too that not every moment/song/band is going to touch people. Fans of the early work the label released will probably not go crazy for High-Back Chairs, and Autoclave fans may not dig S.O.A., but that's missing the point. And the point is? The point is that Dischord is a label devoted to documenting music, not supplying it with an image or a marketing strategy. And this collection is the ultimate proof. [The set also contains an amazing book that contains photos, essays, descriptions of the whens, whys, and hows of each band and song as well as a pictorial discography.] ~ Chris True, RoviSelf-absorbed New Age composer Lucien (Andrew Borba) feels overshadowed by the talent and fame of his "improv" violinist wife Gypsy (Annunziata Gianzero), so she abandons her music to placate him, and together they retreat to their beach front home. Gypsy just "needs to fly again, needs to dream," like she did when her grandfather played for her as a little gi! rl. Meanwhile Lucien's serial killer brother Jimmy (Thomas Jay! Ryan) c omes to visit after a long absence. The three walk on the beach, drink, and talk about their pasts. Gypsy listens to wind chimes and confides in a mysterious beachcomber; Lucien grows frustrated composing his next album, and Jimmy drowns the local women. Meanwhile a retired Boston detective is on Jimmy's trail, and eventually explosive confrontations erupt on both artistic and psychological levels. DISCHORD is a unique, low-budget indie from writer-producer-director-editor Mark Wilkinson. It seems to take place in an alternative New Age universe where even cops and Cape Cod fisherman talk about appeasing the spirits and New Age music is more popular than rock and rap combined. Naturally there's an intriguing score, and Hal Hartley fans will relish seeing HENRY FOOL star Ryan in another meaty role.

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2b Sabrina One-Shoulder Animal Print Dress - WINTER WILD ANIMAL (L)

• 97% polyester, 3% spandex.
• Machine wash.
• Imported.
• SKU 186697
• Style 70A5C202N337
• Mannequin is wearing a US size S.

Ruffled neckline, sheer sleeve action, ruching at sides, and hot print make this 2b dress a retro-modern way to turn up the heat on your party collection. Offers full-interior lining. Elevate it with metallic accented heels for glam allure. Shoulder back to hem: 28".

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How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

• High Quality Product
• Great Collectible
• Great Gift Item
• Brand New Item
• Perfect Wall décor

HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyUK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simp! ly hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, t! oo, by editor Jeff Bridges, whose enthrallment to the power el! ite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.You'll Never Eat Lunch in This Town Again meets The Bonfire of the Vanities, as told by...a male Bridget Jones? And it all really happ! ened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." (USA Today! )You'll Never Eat Lunch in This Town Again meets The Bon fire of the Vanities, as told by...a male Bridget Jones? And it all really happened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose F! riends and Alienate People is also a "nastily funny read." (USA Today)How To Lose Friends & Alienate People is directed by Robert Weide (Curb Your Enthusiasm), produced by Stephen Woolley (The Crying Game) and Elizabeth Karlsen. Based on the bestselling memoir by Toby Young and screenplay by Peter Straughan. The soundtrack features Joey Ramone, Duffy, Motorhead, The Bees, Dusty Springfield, Nino Rota, Electrovamp, Guillemots, Leona Naess, The Kinks, Scissor Sisters, The Killers, Robyn and David Arnold. The cast is led by Simon Pegg (Shaun of the Dead), Kirsten Dunst (Spider-Man), Danny Huston (The Constant Gardener, ), Gillian Anderson (The X-Files), Megan Fox (Transformers), Max Minghella (Hippie Hippie Shake) and Jeff Bridges (The Big Lebowski).Brand New Product

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First Snow in the Woods: A Photographic Fantasy

• ISBN13: 9780977010868
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Guy Pearce (Memento, L.A. Confidential), Piper Perabo (Coyote Ugly) and JK Simmons (Thank You For Smoking, Spiderman 1-3) star in this intriguing thriller about a man whose life spins out of control after psychic tells him his days are numbered. After his car breaks down in a desolate town, a slick salesman, Jimmy Starks (Pearce), visits a fortune teller (Simmons) to kill some time. But the psychic’s ominous reading sends Jimmy’s life into a tailspin when he learns that his life will soon end, but he is safe at least, until the first snow of the season. Now, with his ultimate fate looming nearer, Jimmy becomes obsessed with revisiting his past in hopes of changing! his destiny before it’s too late. With a thriller as low-key as First Snow, dynamic acting is a must. Fortunately, Guy Pearce (Memento) owns the screen as slick salesman Jimmy Starks. In his first film, Oscar-nominated writer Mark Fergus (Children of Men) forgoes visual effects in favor of an increasingly complex narrative. As in many Stephen King novels, the story centers on the collision between a man of reason and a man of faith--in the supernatural, that is. The foreshadowing begins when Starks visits fortune teller Vacaro (J.K. Simmons, Spider-Man). Starks assumes he's a fellow hustler. Then his every prediction comes true. On a return trip, Vacaro tells him he'll be dead by first snow, but can't say how or when. Should Starks put his affairs in order, enjoy his time with girlfriend Deirdre (Piper Perabo), or just do nothing? Then again, snow seems unlikely for Albuquerque. Over the next few days, several possible culprits come to light, ! like Andy (Rick Gonzalez), an assistant Starks fired, and Vinc! e (Shea Wigham), a partner he sold down the river. Convinced one of them is going to seek revenge, Starks becomes so paranoid he opens the door to disaster. Fergus excels in keeping the tension at a low boil, but he undersells the climax. Still, it's a nice change from all the mysteries that build in intensity before collapsing in a heap of improbabilities. First Snow is rooted in the real world from the first frame to the last. --Kathleen C. Fennessy

The first snow has fallen.
The mice children go sledding
with Grandma and Grandpa.
But at the top of the hill,
who will go first?
Bitty, the smallest mouse,
is scared.
When she tries,

WHEEEEEE,

she finds that sledding is the best!

Caldecott Medalist Emily Arnold McCully captured the chills and thrills of a first sled ride when first snow was published in 1985. She has added words and created new pictures for this handsome larger edition, a compani! on to picnic.

8 songs including: Autumn's End, Breath or Winter, Field of crystal,etc.KNOCKED OUT OF THE SKY BY A PASSING PLANE, SEAN HAS MISSED HISBIG FLIGHT SOUTH. BUT WINTER IS SCHEDULED TO ARRIVE ON TIME, SO THE LITTLE DUCK WILL HAVE TO PREPARE. LUCKILY, SEAN MEETS VOLEY,A GOODHEARTED FRIEND WHO TAKES SEAN UNDER HIS WING, TEACHING HIMHOW TO GATHER FOOD AND WARMTH AND STEER CLEAR OF THE CRAFTY FOX.The winter adventures of an errant young Irish duck who loses track of his family on their annual southbound flight make for a charming tale voiced in accents from the British Isles with appealing animation reminiscent of the Little Bear series. If our hero Sean were human, he would probably be diagnosed with Attention Deficit Disorder. But he's fowl, so his mother (Carol Kane) makes her own diagnosis: he's "a duck running amok." So it's no surprise when he strays from the family formation and gets knocked back to earth to face winter alone. He is ably tutored by a ! good-natured, riverdancing vole (Tim Curry) who imparts some h! andy sur vival wisdom before he hibernates. The last 10 minutes of this 27-minute story are crammed with a series of short-lived perils involving a storm, a fox, and Sean's inability to find his parents as the ducks return in the spring. It all ends well, but very young and/or sensitive children may have a few anxious moments along the way. --Kimberly Heinrichs

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Boat Trip (R-Rated Edition)

• Actors: Cuba Gooding Jr., Horatio Sanz, Roselyn Sanchez, Vivica A. Fox, Maurice Godin.
• Format: Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC.
• Language: English, Spanish, Swedish.
• Region: Region 1 (U.S. and Canada only).
• Not Rated. Run Time: 94 minutes.

Hoping to get his mind off of his ex-girlfriend Felicia heartbroken Jerry decides to join his best friend Nick on a singles cruise for a week of sun and possible romance. But when they find out they've wound up on the wrong cruise all they can think of is how to jump ship! That is until Jerry falls for Gabriella a gorgeous dance instructor who has given up on men and signed up on the cruise to get away from it all. Meanwhile the cruise ship picks up some crash victims who happen to be the Swedish Bikini Tanning Team and things really heat up!System Requirements:Starring: Cuba Gooding Jr. Vivica Fox Horat! io Sanz Victoria Silvstedt Lin Shaye Roselyn Sanchez Roger Moore Directed By: Mort Nathan Running Time: 93 Min. Color Copyright 2003 Artisan EntertainmentFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 012236142805 Manufacturer No: 14280Cuba Gooding Jr. still has the exuberant energy that won him an Academy Award for Jerry Maguire--though his subsequent career choices have not been so golden. Still, he's a charming fellow, and his charisma makes Boat Trip surprisingly inoffensive, despite its plot: After being dumped by his girlfriend, Jerry (Gooding) sinks into a depressive funk until his buddy Nick (Horatio Sanz) drags him to a singles cruise--not realizing they've been sent on a gay singles cruise by a vengeful travel agent. But Jerry meets Gabrielle (Roselyn Sanchez), a sexy dance instructor, and falls head over heels--but to maintain her trust, he has to pretend to be just another gay guy out for a little sea air. Though thick with gay stereotypes! , Boat Trip actually has a modest gay-men-are-people-to! o theme that makes the movie innocuous fluff. Also featuring Vivica A. Fox, Roger Moore, Will Farrell, and Playboy playmate Victoria Silvstedt. --Bret FetzerTWO BEST BUDDIES WHOSE LOVE LIVES HAVE HIT ROCK BOTTOM, ONE HAVING JUST VOMITED ALL OVER HIS FIANCE ON A HOT AIR BALLOONTRIP AS HE PROPOSED TO HER. TO ESCAPE THEIR TROUBLES & FIND WOMEN, THEY BOOK A CRUISE, THE AGENT PLAYS A HORRID TRICK ONTHEM & BOOKS THEM ON A GAY CRUISE.Cuba Gooding Jr. still has the exuberant energy that won him an Academy Award for Jerry Maguire--though his subsequent career choices have not been so golden. Still, he's a charming fellow, and his charisma makes Boat Trip surprisingly inoffensive, despite its plot: After being dumped by his girlfriend, Jerry (Gooding) sinks into a depressive funk until his buddy Nick (Horatio Sanz) drags him to a singles cruise--not realizing they've been sent on a gay singles cruise by a vengeful travel agent. But Jerry meets Gabrielle (Roselyn Sanchez! ), a sexy dance instructor, and falls head over heels--but to maintain her trust, he has to pretend to be just another gay guy out for a little sea air. Though thick with gay stereotypes, Boat Trip actually has a modest gay-men-are-people-too theme that makes the movie innocuous fluff. Also featuring Vivica A. Fox, Roger Moore, Will Farrell, and Playboy playmate Victoria Silvstedt. --Bret Fetzer

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He's Just Not That Into You

• Remember that really cute guy who said he'd call.and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for love and finds laughs in this savvy, sexy, right-now romcom. Based on the runaway (like some guys you know) bestseller by

When we first meet rising young artist Angelique (Tautou), she is in the glorious throes of true love, and the whole world has seemingly fallen under her spell. Her handsome lover Loic is madly in love with her, her paintings are winning wide acclaim, and a glorious future seems all but assured. But Angelique's blissful world may not be as enchanting as it first seems, and in a quick startling moment, her life - and our understanding of it -seems to unravel in front of our eyes. Starring Audrey Taut! ou (Amelie), Samuel Le Bihan (Three Colors: Red).That adorable Audrey Tautou from Amélie plays the central role in this deceptive story of a rather unusual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonThat adorable Audrey Tautou from AmÃ! ©lie plays the central role in this deceptive story of a r! ather un usual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonTrish Ryan was the quintessential successful thirtysomething woman -- she had a career as an attorney, a nice car, and a succession of men clamoring for her affection. But despite all her accomplish! ments, the things by which she defined her life continually left her disappointed, especially when it came to dating.

Like the heroines of chick-lit novels and Sex and the City, she couldn't escape her bad luck with men: men who cheated, who left her, who made her a lesser version of herself. After years of trying everything out there to make love work -- new age philosophy, feminist empowerment, myriads of self-help programs -- she finally, hesitantly, decided to give Jesus a try.

HE LOVES ME, HE LOVES ME NOT is Ryan's story of how her search for the right guy turned into the search for the right God, and (spoiler alert!) how she ended up with the happily-ever-after ending.Remember that really cute guy who said he'd call....and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for l! ove and finds laughs in this savvy, sexy, right-now romcom. Ba! sed on t he runaway (like some guys you know) bestseller by Sex and the City series writers Greg Behrendt and Liz Tuccillo, He's Just Not That Into You sparkles with zingy aha moments any survivor of the dating wars will recognize. See it with someone you'd like to love.Based on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co! -star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy

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Bobby Jones, Stroke of Genius 27x40 FRAMED Movie Poster

• High quality framed art print
• Two inch wide black wood frame
• In stock and ready to frame and ship
• Custom packed for safe delivery
• Satisfaction Guaranteed

BASED ON THE TRUE STORY OF GOLF ICON BOBBY JONES. JONES OVERCOMES HIS OWN INTENSE PASSION, PERFECTIONIS TENDENCIES & FIERCE TEMPER TO MASTER THE GAME. WHEN JONES REALIZES THAT HIS UNPARALLELED SUCCESS IS DESTROYING HIS LOVED ONES, HES PRESENTED WITH AN ASTOUNDING PROPOSITION, ONE THAT SHOCKS THE WORLD.Anyone who's ever been passionate about golf will find something to admire in Bobby Jones: Stroke of Genius, a staidly reverent biopic about one of the game's greatest champions. In the title role, Jim Caviezel suffers almost as much as he did in The Passion of the Christ, portraying Jones--who made history by winning golf's elusive Grand Slam (four top tournaments in less than four months) in 1930-! -as a passionately committed golfer who silently endured chronic pain (a spinal disorder prompted his early retirement at age 28), stomach ailments, emotional torment, and borderline alcoholism while maintaining amateur status in the sport he so magnificently dominated. Jeremy Northam brings much-needed levity and rakish style as Jones' friend and rival golfer Walter Hagen, and Malcolm McDowell adds colorful character as Jones' friend and biographer O.B. Keeler while Claire Forlani suffers the typical biopic plight of the hero's wife, who offers compassionate empathy while wishing Jones had more time for family. With repetitive golf scenes and a somber tone of martyrdom, Bobby Jones was partially financed by Jones' estate, which may explain its respectable dullness and instant fate as a box-office dud. Still, director Rowdy (Road House) Herrington is clearly enamored of his subject, and some of that enthusiasm shines through the gloom. --Jeff ShannonAny! one who's ever been passionate about golf will find something ! to admir e in Bobby Jones: Stroke of Genius, a staidly reverent biopic about one of the game's greatest champions. In the title role, Jim Caviezel suffers almost as much as he did in The Passion of the Christ, portraying Jones--who made history by winning golf's elusive Grand Slam (four top tournaments in less than four months) in 1930--as a passionately committed golfer who silently endured chronic pain (a spinal disorder prompted his early retirement at age 28), stomach ailments, emotional torment, and borderline alcoholism while maintaining amateur status in the sport he so magnificently dominated. Jeremy Northam brings much-needed levity and rakish style as Jones' friend and rival golfer Walter Hagen, and Malcolm McDowell adds colorful character as Jones' friend and biographer O.B. Keeler while Claire Forlani suffers the typical biopic plight of the hero's wife, who offers compassionate empathy while wishing Jones had more time for family. With repetitive golf scene! s and a somber tone of martyrdom, Bobby Jones was partially financed by Jones' estate, which may explain its respectable dullness and instant fate as a box-office dud. Still, director Rowdy (Road House) Herrington is clearly enamored of his subject, and some of that enthusiasm shines through the gloom. --Jeff ShannonCasual of pace, endlessly nuanced and often elegiac in tone, the game of golf is hardly the stuff of sure-fire Hollywood box office. Writer-director Rowdy Herrington's biopic of legendary links boy-phenom Bobby Jones (who retired at 28) turns instead on the inner demons and driving compulsion that made Jones arguably the greatest golfer in history. This interior-out approach requires a deft hand in scoring, and veteran James Horner imbues his cues here with a graceful, impressionistic restraint that recalls some of Rachel Portman's similarly shaded work. The composer's musical motif for Jones is a rising melodic figure for orchestra! that shines with courage and resolve, one Horner returns to ! frequent ly in a score that manages to fuse traditional ethnic motifs with a modernist's pastoralism, traditional scoring foundations with contemporary pop vibrancy. The opening "St. Andrews" immediately sets the dramatic tone, interweaving Horner's main theme with fiddle and pennywistle flourishes, all the while stirring up a decidedly brooding undercurrent. "Destined for Greatness" weaves the ethnic touches into a rich interplay of themes powered by a Vangelis-like rhthymic urgency, while "A Win, Finally!" marches them proudly front and center. Music for most sports dramas rises to thunderous crescendos in their moments of ultimate triumph, but the triptych of cues that close this one find Horner digging ever deeper into Jones' complex soul with fragile, introspective music that serves as a tender, bittersweet elegy for the golfing great. --Jerry McCulley

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